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MERCYFUL FATE - Return Of The Vampire
Submitted by Butch, shareprovider.com team | Music | Hits: 96
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Genre: metal
Year: 1992
Extractor: EAC v095
Codec: FLAC 1.1.x
Releaser: VelvetUndergroundForum
1.Burning the Cross - 8:49
2.Curse of the Pharaos - 4:26
3.Return of the Vampire - 4:50
4.On a Night of Full Moon - 6:40
5.A Corpse Without Soul - 8:12
6.Death Kiss - 5:52
7.Leave My Soul Alone - 3:21
8.M.D.A. - 4:20
9.You Asked for It - 4:14
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Don Davis (Juno Reactor) - The Matrix Revolutions: Complete Score (2003)
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Artist: Don Davis (Juno Reactor)
Album: The Matrix Revolutions: Complete Score
Released: 2003
Genre: Soundtrack
Format: eac-ape-cue-log-covers
Album: The Matrix Revolutions: Complete Score
Released: 2003
Genre: Soundtrack
Format: eac-ape-cue-log-covers
Description:
The Matrix Revolutions: One of the most storied modern series of films comes to an abrupt end in 2003, with both The Matrix Reloaded and The Matrix Revolutions dazzling audiences in the same year. Continuing his collaboration with directors Andy and Larry Wachowski, Don Davis' involvement on The Matrix Revolutions helps bring about a momentous, epic end to the trilogy. The music for the original Matrix film was an edgy, disturbed combination of razor sharp orchestral suspense and atmospheric, electronic ambiguity. Its effectiveness was measured more on its ability to lure the audience into an uncertain world of distorted reality, and thus was equally disturbing as a listening experience on album. The music for The Matrix Reloaded was intended to be the most stylish of the three scores, adding considerable influence from Juno Reactor and Rob Dougan to the Don Davis equation. At the same time, the second installment began to introduce an orchestral harmony for the third film score, with The Matrix Reloaded offering several majestic, choral cues for its higher impact scenes. For The Matrix Revolutions, the script demanded a more powerful orchestral presence for the build-up to a fantastic, lengthy battle sequence at the end of the film. With the war against the machines rising to the surface of the charred Earth and culminating in Neo's final, spectacular battle with the them, Davis' orchestra and chorus is busy matching the dissonant echoes of the past with the finale's need for monumental tonality. Davis recorded the 110-minute long score in August, 2003 with a 99-piece orchestra and 80-member choir at the Newman Scoring Stage at 20th Century Fox in Los Angeles, stirring up great anticipation among Matrix fans for Davis' final act.
The Matrix Revolutions: One of the most storied modern series of films comes to an abrupt end in 2003, with both The Matrix Reloaded and The Matrix Revolutions dazzling audiences in the same year. Continuing his collaboration with directors Andy and Larry Wachowski, Don Davis' involvement on The Matrix Revolutions helps bring about a momentous, epic end to the trilogy. The music for the original Matrix film was an edgy, disturbed combination of razor sharp orchestral suspense and atmospheric, electronic ambiguity. Its effectiveness was measured more on its ability to lure the audience into an uncertain world of distorted reality, and thus was equally disturbing as a listening experience on album. The music for The Matrix Reloaded was intended to be the most stylish of the three scores, adding considerable influence from Juno Reactor and Rob Dougan to the Don Davis equation. At the same time, the second installment began to introduce an orchestral harmony for the third film score, with The Matrix Reloaded offering several majestic, choral cues for its higher impact scenes. For The Matrix Revolutions, the script demanded a more powerful orchestral presence for the build-up to a fantastic, lengthy battle sequence at the end of the film. With the war against the machines rising to the surface of the charred Earth and culminating in Neo's final, spectacular battle with the them, Davis' orchestra and chorus is busy matching the dissonant echoes of the past with the finale's need for monumental tonality. Davis recorded the 110-minute long score in August, 2003 with a 99-piece orchestra and 80-member choir at the Newman Scoring Stage at 20th Century Fox in Los Angeles, stirring up great anticipation among Matrix fans for Davis' final act.
The score's greater length was required due to the extensive, epic battle sequences littered throughout the film, and thus, only one source song is employed in the picture. This is in contrast to the previous two films, which featured a heavy dose of 1990's electronica in the pictures and their albums. Seemingly fewer collaborations with electronica artists resulted in The Matrix Revolutions, with Juno Reactor only contributing to a few cues for the project. The collaboration of Davis, Juno Reactor, and Dougan for the previous 2003 installment was certainly a success on album, with the 2-CD set selling over 500,000 units (achieving Gold status). Davis himself praised the approach of combining the score and songs onto one album, stating, "As a consumer, I always feel a little bit slighted if I get a soundtrack CD that's mostly songs or only score music. This soundtrack is a real effort to change the paradigm of what's being offered to consumers in film music." The move was very a profitable one for Davis, and increased exposure for his work. With the shades of Dougan's "Clubbed to Death" now gone from the series, Juno Reactor's sole contributions to The Matrix Revolutions are restrained to collaborations with Davis, and moreso than before, Davis' influence leads Juno Reactor rather than the other way around. The both collaborative cues of "The Trainman Cometh" and "Tetsujin" offer Davis' score with minimal integration of synthesized instrumentation. The notable use of the Seraph Kodo drums in the latter cue finally yields to straight, rocking electronica rhythms later in that cue. It should be noted that the collaboration between Davis and Juno Reactor seems better balanced here, with nothing as far reaching as "Burly Brawl" from The Matrix Reloaded breaking Davis' established tones and pace of development. The one clearly out of place and unfortunate cut in the project is "In My Head," Pale 3's much heavier electronica contribution outside of Davis' influence.
With less song material to be heard in The Matrix Revolutions, Davis' score is finally the central source of attention. When comparing his music for the three films, Davis comments, "...on the first Matrix they wanted me to be as creative as I could be, doing something absolutely new, different, big and huge and all this kind of stuff. Then Reloaded came along and it has to be newer, more different, bigger... I would think that by the time Revolutions is over I'll have pretty much reached the boundary of what I could do with this." That boundary exists on the highest level of harmonic, tonal development while still inserting just enough uneasy dissonance as to remind the viewer of the troubling concept at the root of the trilogy's story. For the majority of The Matrix Revolutions, Davis provides lush, romantically inclined orchestral and choral statements with a tinge of rambling, atonal accompaniment. Even in the score's highlight battle cue, "Neodämmerung," Davis brilliantly uses harmonic chants and large statements of the film's three dominant themes with a consistently rotating, off-key section of the orchestra in the background. He often uses the alternating chords of the series' primary motif to accomplish this background effect. The dual-chord motif on brass, a deceptively simple but memorable musical identity for the trilogy, is introduced (in customary fashion) in the first cue of the score and proceeds to add its flexible sense of warped reality to several cues throughout the score. Interestingly, this theme becomes less apparent as the score becomes more pleasant, only hinting softly at its own ghost in "Spirit of the Universe." The crashing Sentinel theme for the trilogy is greatly expanded upon in The Matrix Revolutions, culminating in "Niobe's Run" and offering a considerable amount of ruckus for chase cues that herald back to the truly disturbing moments of the original Matrix score.
The continuously growing love theme for Neo and Trinity is freed from the awkward bonds that it experienced in The Matrix Reloaded, providing the first true sense of compassion (in a totally harmonic, undivided performance) in the trilogy. This love theme balances the non-stop action from this (and the previous score) with fantastic performances on cello and horn in "The Road to Sourceville" and "Trinity Definitely." Despite the impressive attributes of these three themes' maturity, the action cue "Neodämmerung" and finale equivalent, "Spirit of the Universe," are still the centerpieces of this score. The choral chants of the former are translated into Sanskrit (with Star Wars-style lyrics appropriately matching the mythic proportion of the battle and the concept of 'The One'). The battling elements of harmony and atonality are overlayed in this cue, and when considering that the "bigger is better" philosophy was applied as well, the sheer energy of this action cue serves as an appropriate conclusion to the Neo versus Smith storyline. As Davis has stated, there's really nowhere musically to go from here. Despite the impressive attributes of that cue, however, "Spirit of the Universe" is a more fascinating study. It begins with the first and only statement of truly harmonious theme for the full ensemble --without any dissonance in the background whatsoever-- and has a flowing dramatism and thematic resemblance, oddly, to James Horner's sweeping Star Trek II theme. From there, a boy soprano adds the religious implication of the film's final message, along with a rolling harp. But the end of that cue is even more telling; Davis returns to the finale of the first score, hinting very slightly at the dual-chord theme and building up to one last, suspenseful blast from the ensemble. It is here that you simply can't resist appreciating Davis' use of percussion throughout the score. Whether it is simple pounding on every drum known to man, or the crashing of low notes on a piano like a small child, the percussion is really the heart and soul of this trilogy. Davis allows the rumbling, low piano to simply fade away at the end of the score, leaving an uneasy afterthought with the viewer and listener.
The score is mixed with a very loud approach, with the more sensitive cues raised in volume and the techno elements quieted to match that dynamic range. It's a sort of "in your face" move, and while it may give the casual listener a headache, it also allows for the full ensemble to be better heard on album. The best example of this attention is heard in the rich and deep resonance of the opening rumble of piano in "Logos/Main Title." The only cue seemingly over the top is Juno Reactor's remix of "Neodämmerung," called "Navras" (meaning 'nine emotional states,' mirroring the Hindu belief that these nine states are exhibited through music). The Hindustani Classical vocals and instrumentation here are obviously out of place, but Davis' orchestral and choral foundation is so strong that the cue could easily become a guilty pleasure for the listener. A Middle-Eastern or Indian influence has become almost cliche in recent years for large-scale film scores, but then again, Juno Reactor's three artists provide enough techno flavor to simply throw the whole cue into a realm of the bizarre that can be set aside. As a presentation on album, Don Davis has about half of his material available in a generously straight-forward format. The first two scores from the trilogy have both been floating around the secondary bootleg market in a more complete form, and it's hard to imagine that the truly die-hard Davis fans won't do the same with The Matrix Revolutions. And yet, this final album in the series is complete enough --and largely without interruptions from songs-- to suffice for most listeners. Compared to the other two albums, Davis' music for The Matrix Revolutions is a more fascinating, mature listen, and while casual purchasers of only this effort may not understand the evolution of its themes and harmonic structures, The Matrix Revolutions is probably the easiest of the three for traditional film score fans to enjoy on album. Still, Davis continues to utilize dissonance in both the forefront and distance to provide that unsettling edge necessary for the Matrix concept, and listeners should be aware that this score is likewise no free, tonal ride. Between this necessary element, the lack of a more complete score presentation, and some downright funky electronica, The Matrix Revolutions is less than perfect on album. But this is likely as good as the music itself will get, and Davis should be recognized for his outstanding achievement for the trilogy as a whole.
CD1:
01. Logos/Main Title
02. Nothing But Blue Pills
03. Ak, Colt and Mauser
04. Our Lit Ovens
05. Oracle Debacle
06. The Trainman Cometh
07. The Trainman Goeth
08. Sin, Toil, Extra Vermouth
09. The Road to Hell
10. Time's Up
11. The Road to Sourceville
12. He Is You
13. The First Goodbye
14. The All Knowing Oracle
15. The Logo's Location
16. It's Crazy Zee
17. Das Banegold
18. The Bane Revelation
19. The Smith Within Us
20. Men in Metal
21. Niobe's Run
22. The Breach
23. Boom Hilda
24. Die Brunett Walkure
01. Logos/Main Title
02. Nothing But Blue Pills
03. Ak, Colt and Mauser
04. Our Lit Ovens
05. Oracle Debacle
06. The Trainman Cometh
07. The Trainman Goeth
08. Sin, Toil, Extra Vermouth
09. The Road to Hell
10. Time's Up
11. The Road to Sourceville
12. He Is You
13. The First Goodbye
14. The All Knowing Oracle
15. The Logo's Location
16. It's Crazy Zee
17. Das Banegold
18. The Bane Revelation
19. The Smith Within Us
20. Men in Metal
21. Niobe's Run
22. The Breach
23. Boom Hilda
24. Die Brunett Walkure
CD2:
01. Mjolner Mastication
02. Charra Broiled
03. Woman Can Drive
04. Moribund Mifune
05. Kidfried
06. To Our Snivel
07. Neovision
08. Saw Bitch Workhorse
09. Trinity Definitely
10. Deus Ex machina
11. Neodämmerung
12. Why, Mr. Anderson?
13. Spirit of the Universe
14. Bridge of Immortality
15. ForNeo
01. Mjolner Mastication
02. Charra Broiled
03. Woman Can Drive
04. Moribund Mifune
05. Kidfried
06. To Our Snivel
07. Neovision
08. Saw Bitch Workhorse
09. Trinity Definitely
10. Deus Ex machina
11. Neodämmerung
12. Why, Mr. Anderson?
13. Spirit of the Universe
14. Bridge of Immortality
15. ForNeo
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Kyoto Jazz Massive - 10th Anniversary (2006)
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Artist: VA
Album: Kyoto Jazz Massive - 10th Anniversary
Released: 2006
Label: Compost Records
Genre: Electronic, NuJazz, Broken Beat, Future Jazz, Deep House, Contemporary Jazz
Format: eac-wavpack-cue-log
Album: Kyoto Jazz Massive - 10th Anniversary
Released: 2006
Label: Compost Records
Genre: Electronic, NuJazz, Broken Beat, Future Jazz, Deep House, Contemporary Jazz
Format: eac-wavpack-cue-log
Description:
In honor of their ten years of making and mixing hundreds of nu-jazz tracks, Kyoto Jazz Massive's label, Compost Records, put out a two-disc album of some of the highlights of the group's decade in the business. And of course, being that this is electronica music and that brothers Shuya and Yoshihiro Okino are producers, this is no set of originals culled from master copies and presented intact and unchanged. In true nu-jazz fashion, 10th Anniversary is a collection of remixes, covers, and tributes from and for some of the biggest names in the nu-jazz and house scene. Disc one, which contains a remix of "The Brightness of These Days" (originally on Spirit of the Sun) by British superstar Quantic as well as Kenny Dope's take on the classic "Shine" (which is also given a reworking by Jazztronik on disc two), would fit well with any house or club set, while the second disc, featuring work from the always excellent Da Lata (their cover of the Joao Bosco/Aldir Blanc song "Ronco da Cuica" is great and really organic sounding, despite all of the electronic instrumentation and production), Kenny Dope's Masters at Work partner Little Louie Vega (who does a cover of "Aphrodite"), and Toshio Matsuura (who makes "Behind the Shadow" very haunting and melancholic with subtle and affecting vocals and a soft theremin), focuses more on the nu-jazz side of Kyoto Jazz Massive's body of work, with lots of live instrumentation, swinging sax and piano solos, and beats that really move. It's a nice complement to the more processed Euro-lounge ideas explored on the first disc, and overall creates a really cohesive and interesting look into the career of one of the genre's biggest and longest-lasting names.
In honor of their ten years of making and mixing hundreds of nu-jazz tracks, Kyoto Jazz Massive's label, Compost Records, put out a two-disc album of some of the highlights of the group's decade in the business. And of course, being that this is electronica music and that brothers Shuya and Yoshihiro Okino are producers, this is no set of originals culled from master copies and presented intact and unchanged. In true nu-jazz fashion, 10th Anniversary is a collection of remixes, covers, and tributes from and for some of the biggest names in the nu-jazz and house scene. Disc one, which contains a remix of "The Brightness of These Days" (originally on Spirit of the Sun) by British superstar Quantic as well as Kenny Dope's take on the classic "Shine" (which is also given a reworking by Jazztronik on disc two), would fit well with any house or club set, while the second disc, featuring work from the always excellent Da Lata (their cover of the Joao Bosco/Aldir Blanc song "Ronco da Cuica" is great and really organic sounding, despite all of the electronic instrumentation and production), Kenny Dope's Masters at Work partner Little Louie Vega (who does a cover of "Aphrodite"), and Toshio Matsuura (who makes "Behind the Shadow" very haunting and melancholic with subtle and affecting vocals and a soft theremin), focuses more on the nu-jazz side of Kyoto Jazz Massive's body of work, with lots of live instrumentation, swinging sax and piano solos, and beats that really move. It's a nice complement to the more processed Euro-lounge ideas explored on the first disc, and overall creates a really cohesive and interesting look into the career of one of the genre's biggest and longest-lasting names.
CD1:
01. Kyoto Jazz Massive - The Brightness Of These Days (Quantic Remix)
02. Incognito - Where Love Shines (Kyoto Jazz Massive Remix)
03. Kyoto Jazz Massive - Endless Flight
04. Restless Soul - Time To Fly
05. Kyoto Jazz Massive - Mind Expansions (Blaze Shelter Sundae Mix)
06. Kyoto Jazz Massive - Shine (Kenny Dope Remix)
07. Domu - Taking Flight
08. Afronaught - Now Or Never
09. Dego & Kaidi Tatham - Come With Me
10. Reel People - Tomorrow Never Comes
01. Kyoto Jazz Massive - The Brightness Of These Days (Quantic Remix)
02. Incognito - Where Love Shines (Kyoto Jazz Massive Remix)
03. Kyoto Jazz Massive - Endless Flight
04. Restless Soul - Time To Fly
05. Kyoto Jazz Massive - Mind Expansions (Blaze Shelter Sundae Mix)
06. Kyoto Jazz Massive - Shine (Kenny Dope Remix)
07. Domu - Taking Flight
08. Afronaught - Now Or Never
09. Dego & Kaidi Tatham - Come With Me
10. Reel People - Tomorrow Never Comes
CD2:
01. Da Lata - Ronco Da Cuica
02. Jazztronik - Shine
03. Louie Vega & EOL Band, The - Aphrodite
04. Monday Michiru - A Calamaria (Sailing Into The Unknown Version)
05. DJ Mitsu The Beats - Spireedom 2004
06. Sleep Walker - Eclipse
07. Toshio Matsuura Group - Behind The Shadow
08. Electric Sheep - The Brightness Of These Days
09. Aurora - Nacer Do Sol
01. Da Lata - Ronco Da Cuica
02. Jazztronik - Shine
03. Louie Vega & EOL Band, The - Aphrodite
04. Monday Michiru - A Calamaria (Sailing Into The Unknown Version)
05. DJ Mitsu The Beats - Spireedom 2004
06. Sleep Walker - Eclipse
07. Toshio Matsuura Group - Behind The Shadow
08. Electric Sheep - The Brightness Of These Days
09. Aurora - Nacer Do Sol
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Marie Claire - Belle De Jour (Compost Records) (2003)
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Artist: VA
Album: Marie Claire - Belle De Jour
Released: 2003
Label: Compost Records
Genre: Electronic, NuJazz, Future Jazz, Easy Listening, Jazzdance
Format: eac-flac-cue-log-covers
Album: Marie Claire - Belle De Jour
Released: 2003
Label: Compost Records
Genre: Electronic, NuJazz, Future Jazz, Easy Listening, Jazzdance
Format: eac-flac-cue-log-covers
Description:
Welcome to the first marie claire CD compilation in cooperation with Compost Records! This CD will put you in a very, very good mood - guaranteed. We've selected 14 of the most beautiful, cutting edge modern club Jazz, Easy Listening, Bossa Nova and Latin tracks around. Swing through the day with Victor Davies, De-Phazz, Joseph Malik and Wei Chi, or chill out in the evening with Jazzanova, The Underwolves, Les Gammas and Minus 8. ‘Belle De Jour' from marie claire and Compost is the perfect soundtrack for the perfect day.
Welcome to the first marie claire CD compilation in cooperation with Compost Records! This CD will put you in a very, very good mood - guaranteed. We've selected 14 of the most beautiful, cutting edge modern club Jazz, Easy Listening, Bossa Nova and Latin tracks around. Swing through the day with Victor Davies, De-Phazz, Joseph Malik and Wei Chi, or chill out in the evening with Jazzanova, The Underwolves, Les Gammas and Minus 8. ‘Belle De Jour' from marie claire and Compost is the perfect soundtrack for the perfect day.
Tracklist:
01. Koop - Summer Sun
02. Minus 8 - Runaway
03. Victor Davies - Better Place
04. De-Phazz - You Stayed
05. Joseph Malik - I Don't Want
06. Wei Chi - Heaven
07. Jazzanova - No Use
08. Victor Davies - Spirit
09. Minus 8 - Bossanova Feeling
10. Daniel Magg - The Last Samba
11. De-Phazz - Belle De Jour
12. The Underwolves - Stay A While
13. Koop - Tonight
14. Les Gammas - Outra Vida
01. Koop - Summer Sun
02. Minus 8 - Runaway
03. Victor Davies - Better Place
04. De-Phazz - You Stayed
05. Joseph Malik - I Don't Want
06. Wei Chi - Heaven
07. Jazzanova - No Use
08. Victor Davies - Spirit
09. Minus 8 - Bossanova Feeling
10. Daniel Magg - The Last Samba
11. De-Phazz - Belle De Jour
12. The Underwolves - Stay A While
13. Koop - Tonight
14. Les Gammas - Outra Vida
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Front Line Assembly & Friends - The Best of Cryogenic Studio (2005)
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Artist: VA (Front Line Assembly & Friends)
Album: The Best of Cryogenic Studio
Released: 2005
Label: Cleopatra
Genre: Electronic, Industrial, Dark Ambient
Format: eac-ape-cue-log
Album: The Best of Cryogenic Studio
Released: 2005
Label: Cleopatra
Genre: Electronic, Industrial, Dark Ambient
Format: eac-ape-cue-log
Description:
This US exclusive collection presented on the Cleopatra label brings together the best tracks from both Cryogenic Studios Volume 1 and 2 on one essential double disc collection. For fans, newcommers and collectors alike "Best Of Cryogenic Studio" features exclusive tracks from Front Line Assembly plus Leeb and Fulber associated side projects Delerium, Noise Unit, Equinox, Pro>Tech and Synaesthesia delivering an awesome selection of top electronic music from this legendary duo.
This US exclusive collection presented on the Cleopatra label brings together the best tracks from both Cryogenic Studios Volume 1 and 2 on one essential double disc collection. For fans, newcommers and collectors alike "Best Of Cryogenic Studio" features exclusive tracks from Front Line Assembly plus Leeb and Fulber associated side projects Delerium, Noise Unit, Equinox, Pro>Tech and Synaesthesia delivering an awesome selection of top electronic music from this legendary duo.
-------------------------
The Best of 'Cryogenic Studio' is a compilation of 2 CD's. There are 6 unique and distinctly different sounding units. Bill Leeb with Rhys Fulber have been the creators and the driving force behind Front Line Assembly and then branched out into side projects that became Delerium, Noise Unit, Equinox, Pro-tech and Synaesthesia. Disc 1 includes the best from FLA, rarities from Delerium and the top picks from Noise Unit. As a fan of Delerium, these rare tracks unable to be found elsewhere were a treat and I enjoyed Noise Unit as well. Leeb's success as the driving force behind this type of industrial music puts him up there with Fear Factory. Disc 2 includes some works from Equinox and Pro-tech. For me the pick was Noise Unit and Delerium on CD 1. This double CD pack will not disappoint fans of dark ambient industrial music.
CD1:
01. Front Line Assembly - Equilibrium
02. Front Line Assembly - Transmutation
03. Front Line Assembly - Amorphous
04. Front Line Assembly - Turmoil
05. Delerium - Desert
06. Delerium - Amnesia
07. Delerium - Ambience
08. Noise Unit - Paradise
09. Noise Unit - The Drain
10. Noise Unit - Alle Gegen Alles
11. Noise Unit - Penance
01. Front Line Assembly - Equilibrium
02. Front Line Assembly - Transmutation
03. Front Line Assembly - Amorphous
04. Front Line Assembly - Turmoil
05. Delerium - Desert
06. Delerium - Amnesia
07. Delerium - Ambience
08. Noise Unit - Paradise
09. Noise Unit - The Drain
10. Noise Unit - Alle Gegen Alles
11. Noise Unit - Penance
CD2:
01. Equinox - Contact
02. Equinox - Nova Man
03. Equinox - Phenomena
04. Equinox - Electronic Dream
05. Pro>Tech - Thread-Dead
06. Pro>Tech - Erotic Anthology
07. Synaesthesia - The Flood
08. Synaesthesia - Flotation
01. Equinox - Contact
02. Equinox - Nova Man
03. Equinox - Phenomena
04. Equinox - Electronic Dream
05. Pro>Tech - Thread-Dead
06. Pro>Tech - Erotic Anthology
07. Synaesthesia - The Flood
08. Synaesthesia - Flotation
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VA - Le Noel Abstrait by Raphael Marionneau (2002)
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Artist: VA
Album: Le Noel Abstrait by Raphael Marionneau
Released: 2002
Label: Abstrait Music
Genre: Electronic, Chillout, Ambient, Downtempo
Format: eac-flac-cue-log-covers
Album: Le Noel Abstrait by Raphael Marionneau
Released: 2002
Label: Abstrait Music
Genre: Electronic, Chillout, Ambient, Downtempo
Format: eac-flac-cue-log-covers
Description:
created for the couch culture, "abstrait music" is focusing on album series for home listening and club coccooning. the label founded in january 2002 by raphaël marionneau and nartak d. schübel has got its headquarters in hamburg, germany. after the successful serie of the chillout albums called "le café abstrait", abstrait music releases new collections of compilations like "le classique abstrait" or "l'été abstrait". from french chill-out to classical music, the albums compiled by raphaël marionneau are an invitation to dream and a travel ticket on a digital recording. écoutez et relaxez vous...
created for the couch culture, "abstrait music" is focusing on album series for home listening and club coccooning. the label founded in january 2002 by raphaël marionneau and nartak d. schübel has got its headquarters in hamburg, germany. after the successful serie of the chillout albums called "le café abstrait", abstrait music releases new collections of compilations like "le classique abstrait" or "l'été abstrait". from french chill-out to classical music, the albums compiled by raphaël marionneau are an invitation to dream and a travel ticket on a digital recording. écoutez et relaxez vous...
since christmas 1999, raphaël marionneau proposes to enjoy a relaxing evening on 25th of december. this event is called "le noël abstrait". to celebrate these sessions, abstrait music presents a limited edition 2 CD compilation created for this very special night.
CD1:
01. Paulsen & Ebinger - Fievre De Mars
02. Max Melvin - Sand (Reprise)
03. Akmusique - Sandade (Inside Mix)
04. Naomi - White
05. Slop Shop - Blue Angel
06. George Pallikaris - Seaside
07. Vangelis & Gutbrod - Love Theme (Remix)
08. Black Mighty Orchestra - Ocean Beach
09. Manau - L'Avenir Est Un Long Passe
10. Lovas Robert - Ime Adagio
11. Agoria - Desert Du Désir
12. Ohm-G - I Know Her From The Future
13. Kokoon - Beyond Blue
14. Pietro Moscagni - Cavalleria Rusticana
01. Paulsen & Ebinger - Fievre De Mars
02. Max Melvin - Sand (Reprise)
03. Akmusique - Sandade (Inside Mix)
04. Naomi - White
05. Slop Shop - Blue Angel
06. George Pallikaris - Seaside
07. Vangelis & Gutbrod - Love Theme (Remix)
08. Black Mighty Orchestra - Ocean Beach
09. Manau - L'Avenir Est Un Long Passe
10. Lovas Robert - Ime Adagio
11. Agoria - Desert Du Désir
12. Ohm-G - I Know Her From The Future
13. Kokoon - Beyond Blue
14. Pietro Moscagni - Cavalleria Rusticana
CD2:
01. Anima Sound System - The End
02. Kid Koala - Emperor's Main Course In Cantonese
03. Zofka - L'Automobile (Minus 8 Remix)
04. La Boom - 'cause I Need Some Boom
05. Havana Boys, The - Microlash
06. Karma - Get My Mojo Working
07. Nigel Hayes - Bad Stone
08. Compendium - Brand New Start
09. DJ Chestnut - Stings Beat (Part 2)
10. Chantal Zaradom - Übermorgenland
11. Belladona - Meltin Guitar
12. Malena - Con Mingo
01. Anima Sound System - The End
02. Kid Koala - Emperor's Main Course In Cantonese
03. Zofka - L'Automobile (Minus 8 Remix)
04. La Boom - 'cause I Need Some Boom
05. Havana Boys, The - Microlash
06. Karma - Get My Mojo Working
07. Nigel Hayes - Bad Stone
08. Compendium - Brand New Start
09. DJ Chestnut - Stings Beat (Part 2)
10. Chantal Zaradom - Übermorgenland
11. Belladona - Meltin Guitar
12. Malena - Con Mingo
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VA - Le Classique Abstrait Vol.3 by Raphael Marionneau (2006)
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Artist: VA
Album: Le Classique Abstrait Vol.3 by Raphael Marionneau
Released: 2006
Label: Abstrait Music
Genre: Electronic, Classical, Chillout, Downtempo
Format: eac-flac-cue-log-covers
Album: Le Classique Abstrait Vol.3 by Raphael Marionneau
Released: 2006
Label: Abstrait Music
Genre: Electronic, Classical, Chillout, Downtempo
Format: eac-flac-cue-log-covers
Description:
this high acclaimed serie presents a new approach to listen classical music. raphaël marionneau mixes new classics and masterpieces from 4 centuries. this is classical music like you never heard before.
this high acclaimed serie presents a new approach to listen classical music. raphaël marionneau mixes new classics and masterpieces from 4 centuries. this is classical music like you never heard before.
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the long expected third album arrives after a 2 years creative silence on abstrait music. on this compilation raphaël marionneau skillfully connects unwrinkled classics such as mozart, grieg and brahms with classical music of today. beyond that, “le classique abstrait 3” presents artists who have made a name for themselves in the electronic music scene, and who now step over the genre borders towards classic.
Tracklist:
01. George Winston - January Stars
02. Armand Amar - La Genese
03. Bliss - They Made History
04. Mousse-T - Numero Uno
05. Anna - Streichholz
06. Johannes Brahms - Sinfonie Nr. 3 - Poco Allegretto
07. Edvard Grieg - Peer Gynt Suite - Solveigs Lied
08. Paul Leonard-Morgan - Underwater
09. Malino - Weit Weg
10. Flipside - Solo Sentir
11. Georges Bizet - Carmen Suite Nr. 1 - Prelude 3. Akt - Intermezo
12. Tobi Hang - Quiet Glance
13. Wolfgang Amadaeus Mozart - Konzert Für Klarinette Und Orchester - Adagio
14. Bliss - Epilogue
15. Gustav Mahler - Sinfonie Nr. 5 Cis-Moll - Adagietto
16. Marcus Loeber - All Things Will End
01. George Winston - January Stars
02. Armand Amar - La Genese
03. Bliss - They Made History
04. Mousse-T - Numero Uno
05. Anna - Streichholz
06. Johannes Brahms - Sinfonie Nr. 3 - Poco Allegretto
07. Edvard Grieg - Peer Gynt Suite - Solveigs Lied
08. Paul Leonard-Morgan - Underwater
09. Malino - Weit Weg
10. Flipside - Solo Sentir
11. Georges Bizet - Carmen Suite Nr. 1 - Prelude 3. Akt - Intermezo
12. Tobi Hang - Quiet Glance
13. Wolfgang Amadaeus Mozart - Konzert Für Klarinette Und Orchester - Adagio
14. Bliss - Epilogue
15. Gustav Mahler - Sinfonie Nr. 5 Cis-Moll - Adagietto
16. Marcus Loeber - All Things Will End
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VA - Ninja Cuts: Funkjazztical Tricknology (1995)
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Artist: VA
Album: Ninja Cuts: Funkjazztical Tricknology
Released: 1996
Label: Ninja Tune
Genre: Electronic, Breakbeat, Trip Hop, Downtempo
Format: eac-ape-cue-log-covers
Album: Ninja Cuts: Funkjazztical Tricknology
Released: 1996
Label: Ninja Tune
Genre: Electronic, Breakbeat, Trip Hop, Downtempo
Format: eac-ape-cue-log-covers
Description:
Seminal first compilation on the Ninja Tune imprint, originally released way back in 1995! Features tracks from DJ Food, Krude & Dorfmeister, Attica Blues, 9 Lazy 9, The Herbaliser, UP Bustle and Out, Coldcut, Ashley Beedle and loads more.
Seminal first compilation on the Ninja Tune imprint, originally released way back in 1995! Features tracks from DJ Food, Krude & Dorfmeister, Attica Blues, 9 Lazy 9, The Herbaliser, UP Bustle and Out, Coldcut, Ashley Beedle and loads more.
Tracklist:
01. DJ Food - Dark Aeco
02. Kruder & Dorfmeister - Deepshit Pts 1 & 2
03. DJ Food - Sun Vibes (Attica Blues Remix)
04. London Funk Allstars - Listen To The Beat
05. 9 Lazy 9 - Black Jesus
06. DJ Food - Dark Lady
07. The Herbaliser - Real Killer
08. Up, Bustle, & Out - Y Ahora Tu
09. DJ Food - Dub Lion (remake)
10. DJ Food - Dark Blood
11. 9 Lazy 9 - Electric Lazyland
12. Coldcut - Onamission
13. Up, Bustle, & Out - Coffee At Senor Roody’s House
14. 9 Lazy 9 - Train
15. Ashley Beedle remixes of DJ Food - Consciousness (version 2-Ultraconciousness)
16. Coldcut - Ernie Klein Hedmusik
17. Funki Porcini - It’s A Long Road
01. DJ Food - Dark Aeco
02. Kruder & Dorfmeister - Deepshit Pts 1 & 2
03. DJ Food - Sun Vibes (Attica Blues Remix)
04. London Funk Allstars - Listen To The Beat
05. 9 Lazy 9 - Black Jesus
06. DJ Food - Dark Lady
07. The Herbaliser - Real Killer
08. Up, Bustle, & Out - Y Ahora Tu
09. DJ Food - Dub Lion (remake)
10. DJ Food - Dark Blood
11. 9 Lazy 9 - Electric Lazyland
12. Coldcut - Onamission
13. Up, Bustle, & Out - Coffee At Senor Roody’s House
14. 9 Lazy 9 - Train
15. Ashley Beedle remixes of DJ Food - Consciousness (version 2-Ultraconciousness)
16. Coldcut - Ernie Klein Hedmusik
17. Funki Porcini - It’s A Long Road
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Eric Serra - Le Grand Bleu: Version Integrale (1988)
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Artist: Eric Serra
Album: Le Grand Bleu: Version Integrale
Released: 1988
Label: Virgin Records France
Genre: Soundtrack
Format: eac-ape-cue-log-covers
Album: Le Grand Bleu: Version Integrale
Released: 1988
Label: Virgin Records France
Genre: Soundtrack
Format: eac-ape-cue-log-covers
Description:
The original soundtrack music for the 1988 Luc Besson film (known in the U.S. as "The Big Blue") was composed by Eric Serra. This double disc edition stands in contrast to a single disc edition available in some territories and includes the complete catalog of compositions that Serra wrote for the film.
The original soundtrack music for the 1988 Luc Besson film (known in the U.S. as "The Big Blue") was composed by Eric Serra. This double disc edition stands in contrast to a single disc edition available in some territories and includes the complete catalog of compositions that Serra wrote for the film.
Eric Serra (born on September 9, 1959) is a French composer, often working with Luc Besson on his movies. Eric Serra's father Claude was a famous French song writer in the '50s and '60s, and, as such, Eric was exposed to music and its production at a young age. His mother died when he was just seven years of age. In the early '80s Serra met director Luc Besson and was asked to scored his first movie 'L'Avant dernier' (1981). Serra has scored every single one of Bessons directed movies to date and several that Besson has written such as Wasabi. In 1995, Eric Serra was chosen to compose the score to the James Bond film GoldenEye, which was quite an avant-garde soundtrack compared to previous Bond films, and it met with mixed opinions from film critics.
From 1980 to 1988 Eric Serra played bass guitar for French singer Jacques Higelin. Eric Serra is also a talented songwriter, most notably previously having written songs for Le Grand Bleu (The Big Blue) (a song titled 'my lady blue') and Léon (Titled 'Hey Little Angel', however this was unused in the actual film, save a few minor instrumentals. It was to be used in the final scene/credits but was replaced by the less lyrically appropriate 'Shape of my Heart' by Sting) as well as several other movies. In 1998, Eric Serra finally released an album of rock music titled RXRA. Serra has spent little time in front of the camera choosing to work behind the scenes instead. However, on French television he has made a number of appearances performing music. Most notably however in the Luc Besson movie Subway in which he plays 'Enrico the bassist'.
CD1:
01. Big Blue Overture
02. Deep Blue Dream
03. Sailing to Death
04. Rescue in a Wreck
05. Raya
06. Huacracocha
07. Water Works
08. Between the Sky-Scrapers
09. Remembering a Heart Beat
10. Spaghetti del Mare
11. Let Athem Try [Instrumental]
12. Synchronised Instant
13. Homo Delphinus
14. Monastery of Amorgos
15. Much Better Down There
16. Cruise of the Dolphin Tribe
17. Second Dive
18. Leaving the World Behind
19. My Lady Blue
01. Big Blue Overture
02. Deep Blue Dream
03. Sailing to Death
04. Rescue in a Wreck
05. Raya
06. Huacracocha
07. Water Works
08. Between the Sky-Scrapers
09. Remembering a Heart Beat
10. Spaghetti del Mare
11. Let Athem Try [Instrumental]
12. Synchronised Instant
13. Homo Delphinus
14. Monastery of Amorgos
15. Much Better Down There
16. Cruise of the Dolphin Tribe
17. Second Dive
18. Leaving the World Behind
19. My Lady Blue
CD2:
01. Let Them Try
02. Walk in Taormina
03. Watergames
04. Fatal Dive
05. Platform
06. Leaving Peru
07. Virgin Islands
08. Strange Feelings
09. Sicilia
10. Such a Family
11. Third Dive
12. Do You Like This Place
13. For Enzo
14. Leaving the World Behind
01. Let Them Try
02. Walk in Taormina
03. Watergames
04. Fatal Dive
05. Platform
06. Leaving Peru
07. Virgin Islands
08. Strange Feelings
09. Sicilia
10. Such a Family
11. Third Dive
12. Do You Like This Place
13. For Enzo
14. Leaving the World Behind
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VA - Le Cafe Abstrait Vol.5 by Raphael Marionneau (2006)
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Artist: VA
Album: Le Cafe Abstrait Vol.5 by Raphael Marionneau
Released: 2006
Label: Abstrait Music
Genre: Electronic, Chillout, Ambient, Downtempo
Format: eac-wavpack-cue-log-covers
Album: Le Cafe Abstrait Vol.5 by Raphael Marionneau
Released: 2006
Label: Abstrait Music
Genre: Electronic, Chillout, Ambient, Downtempo
Format: eac-wavpack-cue-log-covers
Description:
Le Café Abstrait Vol 5 by Raphael Marionneau - The Epilogue Of A Journey. With „the epilogue of a journey" Raphaël Marionneau releases the fifth album under the "le café abstrait" name. Ten years since the self named club project began in Hamburg`s Mojo Club, the "father of couch culture" presents his most electronic album yet. "the epilogue of a journey" is the last chapter of a journey which began in Hamburg ten years ago. One Wednesday evening in the autumn of 1996 "le café abstrait" premiered: what started as a familiar stop off point for aesthetes developed over the next few years into one of the most successful club projects in the city. "le café abstrait" was the pool of tranquillity in the frantic daily life of the metropolis: those who relaxed on one of the sofas, drank tea and listened to the music felt newborn afterwards. DJ Raphaël Marionneau , the founder of "le café abstrait" and labelled by the media as "the father of couch culture" has released four compilations of the same title up until now. In 2003 the mojo club closed – and so did "le café abstrait". However, from the original concept other "abstrait" projects have been conceived ("le classique abstrait", "le voyage abstrait" e.a. ) and the name of the club legend lives on through the compilations.
Le Café Abstrait Vol 5 by Raphael Marionneau - The Epilogue Of A Journey. With „the epilogue of a journey" Raphaël Marionneau releases the fifth album under the "le café abstrait" name. Ten years since the self named club project began in Hamburg`s Mojo Club, the "father of couch culture" presents his most electronic album yet. "the epilogue of a journey" is the last chapter of a journey which began in Hamburg ten years ago. One Wednesday evening in the autumn of 1996 "le café abstrait" premiered: what started as a familiar stop off point for aesthetes developed over the next few years into one of the most successful club projects in the city. "le café abstrait" was the pool of tranquillity in the frantic daily life of the metropolis: those who relaxed on one of the sofas, drank tea and listened to the music felt newborn afterwards. DJ Raphaël Marionneau , the founder of "le café abstrait" and labelled by the media as "the father of couch culture" has released four compilations of the same title up until now. In 2003 the mojo club closed – and so did "le café abstrait". However, from the original concept other "abstrait" projects have been conceived ("le classique abstrait", "le voyage abstrait" e.a. ) and the name of the club legend lives on through the compilations.
Tracklist:
01. Stereolife - Hamburg Hafen 7.10H
02. The Egg - Lost At Sea
03. Blumar - Between 5 And 6
04. George Chatzis - After Paros Island
05. Mahoroba - Sumunya
06. Duncan Bridgeman & Jamie Catto - Leaving
07. Sinatic - Miracle Of Life
08. Nil Smoka - Ocean Silence
09. Hittfeld - Traveller Part 1
10. Hyusfall - Panoil
11. David O'Brien - Lay Me Down
12. Fous De La Mer - Ode Á L'amour
13. No Limits - No Limits
14. Jens Buchert - The Epilogue Of A Journey
01. Stereolife - Hamburg Hafen 7.10H
02. The Egg - Lost At Sea
03. Blumar - Between 5 And 6
04. George Chatzis - After Paros Island
05. Mahoroba - Sumunya
06. Duncan Bridgeman & Jamie Catto - Leaving
07. Sinatic - Miracle Of Life
08. Nil Smoka - Ocean Silence
09. Hittfeld - Traveller Part 1
10. Hyusfall - Panoil
11. David O'Brien - Lay Me Down
12. Fous De La Mer - Ode Á L'amour
13. No Limits - No Limits
14. Jens Buchert - The Epilogue Of A Journey
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